Ok everyone (all five of you) so begins the countdown of my favorite flicks from 2000-2009. A couple of quick housekeeping notes before we go on.
- These are nothing but what I feel the best films are from 2000-2009. The films I feel are the most relevant, lasting, entertaining, and valuable films of the last ten years. What I think is merely the funniest film of the last 10 years is probably not on this list. The film I’ve watched more than any from the last 10 years might not be on this list. But these represent what I feel the BEST 25 films of the last 10 years are.
- Andrew Brenner should be counting his down too. Definitely check his out. He has taste, ours just doesn’t always overlap. Check his out as well if you are so inclined.
- We (as in Andrew and I) will be counting down five each Wednesday, with the final five on Wednesday Dec 30, 2009.
- I still plan to return to my countdown of my top 100 favorites of all time at some point in the next decade. Be on the lookout.
- These posts are written with the intent to preserve the key aspects of the story of the films as spoiler-free if you’ve not seen them. Feel free to read if you haven’t.
Here’s another film like The Royal Tenenbaums that is just perfectly put together. The casting is almost a dream, and the performances are fantastic (Kim Basinger in an Academy Award winning role, plus Russell Crowe, Guy Peace AND Kevin Spacey all shine.) Director Curtis Hanson must be independently wealthy—he’s only made 4 films in the decade since L.A. Confidential. Either that or he put all he had creatively into this one. Either way, this film is alive. The sets and set decoration capture a vibe of 1950’s L.A. leaping right out of stock footage and the pages of pulp magazines and tabloids (it should come as no surprise that Hanson based a ton of what he did visually on old videos, photographs, and postcards.) But seeing those scenes come to life with actual, three-dimensional characters, and one heck of a well-imagined thrilling story, is just icing on the visual cake. To me this film is a masterpiece because the story works so well you don’t even notice everything else that went into the film technically, and yet you can really appreciate it merely for the technical aspects as well if you choose to (the DVD notably has a “music only” audio track, the only such track I’ve seen on a DVD.)